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241 - 245 of 245 for "vaughan"

241 - 245 of 245 for "vaughan"

  • WYNN family Berth-ddu, Bodysgallen, commissioner of taxes for Caernarvonshire, and also had the sole right of nominating to scholarships under the educational trust of his great-uncle Owen Gwynne (above). He died 13 December 1674, having married, successively, daughters of Sir James Bodvell, Richard Vaughan of Cors-y-gedol and lord Bulkeley, the last being the widow of Sir William Williams of Vaynol. His daughter's tombstone in Llan-rhos
  • WYNN family Wynnstay, is no lack of evidence to show that Sir Watkin hated the Methodists; Peter Williams and others experienced fierce persecution at his hands and great was their rejoicing when he died suddenly, 26 September 1749, as a result of a fall from his horse while hunting. Sir Watkin had added extensively to the Wynnstay estate by his marriage with Ann, daughter and heiress of Edward Vaughan of Llwydiarth and
  • WYNNE family Voelas, chaplain to cardinal Wolsey, he was the father of Elis ap Rhys, i.e. Dr. Elis Prys (see also Vaughan family, Pant Glas). Their eldest son, MAURICE GETHIN, steward of the abbey of Aberconway, married Ann, daughter of David Myddelton ' Hen,' Gwenynog, receiver-general for North Wales in the time of Edward IV, and had a large family, the heir being CADWALADR WYNNE I, high sheriff of Denbighshire, 1548, who
  • WYNNE family Peniarth, was president of the Cambrian Archaeological Association in 1850; about forty articles by him appeared in Archæologia Cambrensis), and genealogist that he will be remembered by posterity, and particularly as the careful custodian and studious searcher through, and cataloguer of, the Hengwrt manuscripts, which became his property, by bequest of Sir Robert Williames Vaughan, 3rd baronet, in 1859 (see
  • WYNNE, DAVID (1900 - 1983), composer . Early in his career he was influenced by contemporary music. He heard Edward Elgar conduct a performance of his Second Symphony in Cardiff in 1923, and was much impressed; so too by the performance he heard of the opera Hugh the Drover by Ralph Vaughan Williams, conducted by John Barbirolli, in 1925. But the turning point in his career came with the publication of the Third Quartet by the Hungarian